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The Very Fine Art Gallery

Memories S3 Wrapped in Plastic #01 Boots

Memories S3 Wrapped in Plastic #01 Boots

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A pair of brown boots sits beneath layers of translucent plastic, their familiar shape softened and obscured. The folds catch the light, turning a practical object into something strangely fragile, suspended between use and recollection.

This work recalls a shoot in 2011 on top of a newly built building, where the latest technology in solar and wind energy was being used. To gain access to the site, Michael Miller had to buy special boots with steel toe caps. An ordinary piece of safety equipment became attached to a particular moment: a place, a project and a time when new possibilities in energy were taking shape.

Part of Memories Series 3 - Wrapped Memories, this work explores how wrapping an object can set it apart from everyday life, preserving its associations while changing how we see it. The boots remain recognisable, but their practical purpose gives way to the memory they hold.

32 x 48 inches. Lustre photo paper

A satin lustre fine art photo paper.

  • Our lustre photo paper is a premium photographic stock with a satin finish, favoured by professional photographers. Its subtle, pearl-like texture adds depth, while supporting deeper colour saturation than most.
  • All of our fine art photo prints are made using Giclée printing – the gold standard used by museums and galleries worldwide. Pigment-based archival inks deliver smoother gradients, richer colour depth and long-lasting brilliance that won’t fade when displayed indoors
  • Bright white paper 
  • 240gsm
  • Subtle pearl-like texture 
  • Satin finish
  • Giclée fine art photo print

Produced to order and delivered within the UK, with fully tracked delivery. Please allow 1-3 working days for production and 1-3 working days for delivery.

The Story Behind This Collection
Series 3 - Wrapped in plastic 2018

The third series of Memories turns to the act of preservation itself. Objects are wrapped in plastic — placed under a dustcover, like the forgotten rooms of an abandoned stately home, waiting to be rediscovered. When we finally lift the cover, everything comes flooding back: not just the object, but the smell, the feeling, the weight of the moment it belongs to. Still recognisable, yet separated from us by a translucent barrier, the wrapping both preserves and obscures — much like the way memory protects certain moments while simultaneously softening their edges, leaving us reaching for something we can almost but not quite touch.
About the Artist
Michael Miller's practice centres on the abstraction of reality - using a hybrid of photographic techniques across multiple disciplines to create an emotional connection with the viewer. His work inhabits a realm of deliberate ambiguity, where he believes an intangible beauty resides: visually poetic, artful rather than merely documentary.

Michael has exhibited at the National Portrait Gallery in Canberra, the Head On Portrait Prize, the Moran Contemporary Photographic Prize at the NSW State Library, and at the BBA Gallery Berlin. He was voted Australia's Top Emerging Art Photographer by Capture Magazine in 2018, and has been recognised with awards from the IPA, PX3, and D&AD, among others.

GPSR Compliance

In compliance with the EU General Product Safety Regulation (GPSR), The Very Fine Art Gallery ensures all products meet applicable EU safety standards.
Open edition prints are fulfilled by Printful and include EU economic operator details: SINDEN VENTURES LIMITED, Limassol, Cyprus gpsr@sindenventures.com
All other prints are produced in partnership with Prodigi. Manufacturer: The Very Fine Art Gallery, United Kingdom. For EU product safety enquiries, contact info@theveryfineartgallery.com
All products include a 2-year EU warranty and are intended for adult use.
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